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The quietest wheel in the set. A nude card carries rose and cream slices that sit just 1.5:1 apart in tone — the second narrowest gap of any theme here — so the wheel does not read as stripes at all. It reads as one soft disc with writing on it, and only resolves into slices when it turns. That is an unusual effect and it is the whole reason this theme exists.
Edit this wheel →Opens the studio on this theme. No account needed to build it — create a free one to save it and get your own shareable link.
Card #F3DDD2, slices #E8C4B8 and #FFF6F0, pointer #B8705C. Both slices are pale, so every prize name takes the same near-black ink and nothing flips halfway round. Worst case is 11.7:1, third highest of the sixteen, which is how it gets away with having so little contrast between the slices themselves: the text never depends on that difference.
Neutral, beige-toned feeds, and anyone whose grid is built on skin and linen rather than colour. If every other theme here looks like a graphic dropped onto your page, this one looks like it was always part of it. It is also the gentlest option if you are nervous about a wheel looking cheap.
A pinned post or a profile image more than a Story. The subtlety that makes it good in a grid works against it in a feed moving at speed, where a louder card stops the thumb faster. Post it where people are already looking.
Because the slices barely differ, prize names are what separate them. Vary the lengths a little so the eye has something to catch on.
Yes. Building a wheel, spinning it and sharing your link are free. A free account can download it with a watermark; Pro removes the watermark from the PNG, GIF and MP4.
Yes. Saving gives you a link that opens your wheel with your prizes and your photo on it. Whoever opens it can spin it in their browser.
Yes. Save image gives you a still PNG at 1080 or 2160 wide. There is an animated GIF too, and an MP4 of the spin recorded as it happens.
No. It runs in the browser, and the recording is made on your own device rather than uploaded anywhere.
They are meant to be close — 1.5:1, against 17:1 on Mono. The pointer and the text do the separating instead of the colour. If you want the slices to read as distinct blocks, Royal or Mono are the opposite end of that scale.